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汉语拼音：yuán zuò

1.文学艺术作品的最初的本子。

2.译文或改写所依据的原文。

3.复制品所依据的作品。

1. 诗篇唱和中的最初一篇。

2. 改写、改编、翻译等所依据的原来作品。

   洪深 《戏剧导演的初步知识》上篇三：“设计时最先要解决的问题是，演出究应采用何种‘风格’（Style），才能最有效的发挥原作的意旨，获得应有的社会效果。” 巴金 《寒夜》五：“原作是传记，译文却象佛经，不少古怪字眼，他抓不到一个明白的句子，他只是机械地一个字一个字校对着。”

• but more than anything, such a profound sense of humanity, such fun and exhilaration, such melancholy and wisdom.

  更难能可贵的是，他译出了原作里深邃的人性，欢愉与兴奋，忧伤与睿智。

• it shows that Wu had a deep understanding of the original piece, to which he applied his polyphonic skills in a mature way.

  显示出作者对原作的深刻理解和复调写作技巧的成熟运用。

• Picasso is trying to "take back" El Greco, by corrupting our capacity to see the original.

  毕加索试图通过损坏我们对原作的欣赏力，「收回」格里柯的作品。

• The dub of each characters is all the battle array according to original work, acoustic quality side is higher than original work.

  各个人物的配音则是全部按照原作的阵容，音质方面比原作更高。

• It's one of the most jaw-dropping moments of the book, the sort of thing you can't wait to see in a movie.

  这是原作中最让人大跌眼镜的情节之一，你绝对迫不及待想在电影中看到它。

• The style and manner of writing should be of the same character with that of the original.

  二、译文的风格和笔调应与原作相同。

• Besides, no mater how well a poem is translated, something of the spirit of the original work is lost.

  另外，一首诗不管翻译得多么好，都会丢掉原作的一些神韵。

• Moreover, it seems to be the only conceivable reason for saying "the same thing" repeatedly.

  此外，这似乎是唯一可以解释翻来覆去地说“译作与原作是同样的东西”的可能原因所在。

• Besides, no matter how well a poem is translated, something of the spirit of the original work is lost.

  而且，无论首诗翻译得多好，原作中的某些精髓已失。