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汉语拼音：xì bān

也叫戏班子。旧时对戏曲剧团的称呼。

1. 亦称“ 戏班子 ”。剧团的旧称。

   《儒林外史》第二六回：“ 鲍文卿 扶着病出去寻人，把这银子买了一所房子，两副行头，租与两个戏班子穿著。”《老残游记》第一回：“大家因为 黄大户 不出窟窿，是十多年没有的事，异常快活，就叫了个戏班子，唱了三天谢神的戏。” 鲁迅 《准风月谈·二丑艺术》：“ 浙 东的有一处的戏班中，有一种脚色叫‘二花脸’，译得雅一点，那么，‘二丑’就是。” 欧阳予倩 《桃花扇》第一场：“ 阮胡子 自恃有钱，除了养戏班之外，还把 苏昆生 、 柳敬亭 都养在家里。”

• The practitioners of this art are usually organized into a group, which is often called "theatrical troupe" .

  而这门艺术的实践者以“班社”为结合体，并以“戏班”为主要称谓。

• Lo! A ray of a spotlight illuminated me in the darkness, I stood in the middle of the empty stage No circus, no spectators I was all alone.

  看啊！一束灯光将在黑暗中的我照亮，我伫立在偌大而空旷的舞台中央，这里没有戏班，没有观众，我独自一人。

• In the end of this paper, some personal experience and impression while investigating Lu Opera Troupe of Ang Family are discussed.

  结语，谈一点对昂家庐剧戏班的调查与研究后的体验与感受。

• Meanwhile, regional culture, through the troupe, brings about new changes and meanings to the transformation of Chinese society.

  同时，地域文化也通过戏班的传播，在中国社会变革中流动产生新的变化与含义。

• The fate of the troupe, nonmaterial cultural heritage and the protection of this paper is to explore the issue.

  戏班的命运、非物质文化的传承与保护都是本文所探寻的问题。

• The dance piece "Hui Ban" tells about the ups and downs of a Hui Opera Troupe one century ago.

  舞剧《徽班》讲述的是一百年前徽剧戏班的兴衰。

• The troupe's performance is the core of the ritual, a bridge linking tradition to modernity.

  戏班的演出是仪式活动中的核心所在，成为连接传统与现代对话的桥梁。

• The rise of stage design is resulted from the four factors--theater groups, screenplays, the stage and the performance.

  平（京）剧检场兴起的原因，归于戏班、剧本、舞台与表演四个要件。

• Camera pushes in to a commercial vehicle advertising Jiang-Tian Yue's opera troup, Tianheban.

  摄像机推进到一辆贴着岳江天戏班——天和班广告的车辆上。